TOOLS
First and foremost, seeing as how Actus Reus is a photocomic, a
CAMERA.
This particular model is very old (Sony DSC-S75, 3.3 Megapixels) and will be
replaced soon.
Next, a decent
computer is indispendable. This is "SHELOB," a Compaq Presario SR1917CL with
an AMD Athlon 64 and 1.5 GB of RAM (recently upgraded from 512 MB). Also,
Photoshop.
The next item is horrendously useful: a greenscreen.

EXAMPLE OF GREENSCREENING:

^^^THIS^^^ BECOMES THIS:

And last, but definitely not least: PROPS. They make or break anything involving
PROCESS
Step Two: SHOOT
Step Three: MOVE PICTURES TO COMPUTER
Step Four: START PHOTO EDITOR
(Sidenote: If anyone ever wants to see one of the original pictures that were
used
Step Seven: COPY PICTURES INTO MAIN COMIC FILE
Step Eight: GET BASIC LAYOUT SET UP
To see the finished comic I used for this way-too-short tutorial, go
film, photography or anything trying to represent real life.
Step One: STORYBOARD
Yeah, this is what it sounds like, and I'm not as vigilant at doing this as I should.
Write your comic's lines out so you know what the hell you're doing when you hit
step two.

My background is black, to better blend into the rest of the site. The general idea is that it's hard to
tell where the comic image ends and the site background begins. BACK UP THE
FILE.
The pictures are NEVER the right size. Resize them, crop them, make them fit.
Do this for every picture.

in one of the comics or character sheets, etc.,
E-Mail me)

Me, I trim the corners of mine at 45 degrees to make them more visually interesting,
then I set them up to try to convey the flow of events. The more chaotic the things
happening on the page are, the more chaotic the page is.
HOWEVER, the reader still needs to be able to tell the order of the comics with no help.
Remember that storyboard? Use it. In Photoshop, I use a standard ellipse, then a 3-sided polygon,
then I transform them to what I need, merge those two together, and put the appropriate stroke color around it.
Thought bubbles are at 70% transparency, but with the same idea.
I keep text and text bubbles separated, for editing purposes. BACK UP.
Simple, right? Add text and any special effects. BACK UP.
What? Sound effects? In a COMIC? Yep, use that vocabulary. Use appropriate
fonts. BACK UP.

PLEASE, make it interesting! Add special effects as needed.
Don't know how? Experiment, or find a tutorial. BACK UP.

Those backups'll come in handy if you butcher something (I speak from experience).
Save a few different versions of the file along the way. Photoshop can only Undo so many things.
Save the file now, after it's finished, in a completely new file. Trust me, it's a good idea.
Now save the comic as the .jpg, .gif, or other image file it'll end up being.
Total time spent on this particular comic: 4 hours.
Feedback is always welcome! The Sphix is listening...
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